Showing posts with label sentimental. Show all posts
Showing posts with label sentimental. Show all posts

Thursday, March 12, 2015

Sex changes - Heavenly Mother's husband


General authorities have a lot to say about the innate qualities of women and their divinely appointed role here on earth. What happens if we flip the sexes in what they have to say about the topic? Do we have a nonsensical statement because the logic is gender dependent, or do we end up with a statement that still agrees with LDS thought because gender is irrelevant?


"A three-year-old had wandered off on an adventure, shedding her clothing as she went. When she realized she was lost as well as cold, she knocked at the home of this young man. He saw a little girl standing on the step; she was wearing only soiled underwear and was crying her heart out. He took her in, and while they waited for the police to find her father, he wrapped her in a blanket and held her on his lap and sang songs to her. He made her clown faces on home-dipped ice cream cones and drew pictures with her so she could surprise her mother. He made her feel marvelous.

"When at last the girl's father arrived, she started for the front door. Then suddenly she stopped, maybe remembering what a special time she had had with the young man.

"'Hey!' she asked. 'Are you Heavenly Mother's husband?'

The young man was startled - and sobered. At last he replied, 'No, but I am her son.'"
Elaine A. Cannon, "Voices," New Era, Jul. 1980, 13.


Besides being a sappy, poorly told story, there's nothing in this modified version that should offend LDS sensitivities. We might be caught off guard at first by a story about a naked little girl spending an afternoon with a young man, but I think that's mostly because American culture - disgustingly - has hyper-sexualized children. The most offensive aspect of this story is found in the original, where Heavenly Mother is called "Heavenly Father's wife". You know there's a problem with gender inequality when a woman's identity relies entirely on a reference to a man.

Saturday, November 16, 2013

Mormon Art

Have you ever wondered why Mormon art is so kitschy? I liked a lot of it when I was little, especially if it featured animals prominently somewhere in it. I think the now classic Arnold Friberg rendition of Abinadi standing in chains before Noah was probably my favorite (the jaguars really did it for me).


Friberg's obsession with superhero arms and tiny heads are probably what made him an instant hit among little boys like myself and Utah farmers.

(11-year-old head on college athlete body)

(the man of steel)

(shrunken head Viking father)

The Utah thing might explain why Mormons have long loved this portrait of Cowboy Jesus:


More recently the Mormon Jesus has been reinterpreted as the Fuzzy Bear Jesus.


Either way he's a hit with the young women of the ward.


And he really knows how to connect with your troubled son.


These paintings are unarguably bad, but for me the most testimony-damaging picture of all was probably Clark Kelly Price's "When the Angels Come". It's absolutely awful and I'm pretty sure the spirits of the pioneers who went through these kinds of grueling experiences cry every time someone looks at this painting.


It's a silly reason to doubt, I know, and I'm not saying it threw my testimony into a total tailspin, but poor quality of Mormon art had me scratching my head. How could such uninspired art be part of such an inspired tradition? How could something so ugly even sell?

The BYU Bookstore was always (and still is) a treasure trove of shitty Mormon art. It hurts to look at it. It hurts to think that people buy it and put it in their homes. I refused to accept it as part of my cultured heritage. Jesus, his Gospel, and his church deserved so much better.

Then again, at least it's not as awful as Jehovah's Witness art.

Friday, November 15, 2013

The Testaments

 (This is Jeremy Hoop, not Ben Stiller.)

You know what shook my faith? The Testaments: Of One Fold and One Shepherd, that Church-made feature about Jesus' visit to the Nephites "somewhere in the Americas". Talk about hyper-sentimental dog shit. I cringed through the entire film wondering how in the world the LDS Church (a church considering itself to be led directly by Christ's own resurrected hand) dare produce such an embarrassment of a film.

The story is sappy as all hell. Helam sees the star of Bethlehem as a teen and sets his heart on one day seeing the Messiah. In the 33-year interlude, Helam has a family; his wife has died and his son, Jacob, has become a rebellious pain in the ass who totally forsakes "the traditions of his fathers" in favor of a secular life in the court of evil Kohor. Jacob eventually changes his mind after witnessing the murder of a prophet of God by Kohor's stooges. Helam's disappointment and pain over his son is only compounded when he loses his sight and can no longer hope to see Jesus in the flesh. Then Jesus shows up in the sky, lands on the temple steps, and sets everything right. The end.


The movie plays the pain-of-lost-family card as much as it can to drive home the sense of fear and despair that is so crucial to the film. To say the music is heavy-handed would be an understatement. The Testaments manages to pound all subtlety to smithereens and send it out of screen with a sneeze. I found the movie horribly distasteful and I didn't want to be associated with it.

To top off my discomfort, the makers of the film decided to place the film squarely into a Mayan context. Seeing a bunch of white and Polynesian Mormons running around Mayan temples with with Mayan headdresses felt disrespectful to the Mayan, kind of like putting on blackface. Besides, the connection of the Nephites/Lamanites/(and all manner of "-ites") doesn't work. They weren't speaking a Hebrew dialect, weren't writing in Reformed Egyptian, weren't talking about the Messiah and American Revolution-related concepts of freedom and civil duty, and were not divided into "-ites". But in the film they're running around like there are singles wards and playing with non-Book of Mormon animals, like monkeys. 

I suppose it didn't help much either that Tomas Kofod was a damned ugly white Jesus...


...but my faith remained in tact. The Testaments is just a film after all, my faith was in the Living Christ and his living church!