The Land of Make-Believe

For [D. W.] Winnicott, play is acknowledged as other than reality: children grant that they are must playing. Play grants itself the right to treat a spoon as a train, and a parent is barred from asking whether the spoon really is a train. But once play is over, the train is again a mere spoon. Still, play is more than fantasy or escapism. It is the construction of a reality with personal meaning. It takes something from the everyday world - a spoon - and transforms it into something more - a train.

Mormon Barbie's sacred garments.

In Winnicott's terms, play is a 'transitional' activity. It provides a transition form childhood to adulthood, from the inner world of fantasy to outer reality, and from the known outer world to the unknown one. Just as a child clings to a physical object - a teddy bear - to create a safe world that then enables the child to explore with confidence the outside world, so an adult clings to an internalized object - a hobby, an interest, a value, or, I suggest, a myth - that then enables the adult to deal with a much wider world. Just as the child knows that the teddy bear is not Mummy yet clings to it as if it were, so the adult recognizes that the myth is not reality yet adheres to it as if it were. Myth is 'make-believe'. (Robert Segal, Myth: A Very Short Introduction, pp. 138, 139)

Mormon-style robes of the Holy Priesthood.

The temple - re-enacting myth

Robert Segal's explanation of Mircea Eliade's approach to myth strikes me as particularly applicable to Mormons' motives for enacting the endowment ceremony.

To hear, to read, and especially to re-enact a myth is magically to return to the time when the myth took place, the time of the origin of whatever phenomenon it explains:

But since ritual recitation of the cosmogonic myth implies reactualization of that primordial event, it follows that he for whom it is recited is magically projected in illo tempore, into the 'beginning of the World'; he becomes contemporary with the cosmogony. (Eliade, The Sacred and the Profane, p. 82)

Playing Adam and Eve in the LDS temple.

... In returning one to primordial time, myth reunites one with the gods, for it is then when they are nearest, as the biblical case of 'the Lord God['s] walking in the garden in the cool of the day' typifies (Genesis 3.8) That 'reunion' reverses the post-Edenic separation from the gods and renews one spiritually:

What is involved is, in short, a return to the original time, the therapeutic purpose of which is to begin life once again, a symbolic rebirth. (Eliade, The Sacred and the Profane, p. 82)

The ultimate payoff of myth is experiential: encountering divinity. (From Myth: A Very Short Introduction, pp. 55-56)

Aaaaand... welcome to the Celestial Room!